Cinedigm Corp Stock

Hello, everyone. Thank you for joining us, and welcome to the Cineverse First Quarter Fiscal Year 2027 Earnings Call. [Operator Instructions]

I will now hand the conference over to Gary Loffredo, Chief Legal Officer, Secretary and Senior Adviser. Gary, please go ahead.

Good afternoon, everyone. Thank you for joining us for the Cineverse First Quarter Fiscal Year 2027 Financial Results Conference Call. The press release announcing Cineverse's results for the fiscal first quarter ended June 30, 2026, is available at the Investors section of the company's website at www.cineverse.com. A replay of this broadcast will also be made available on Cineverse's website after the conclusion of this call.

Before we begin, I would like to point out that certain statements made on today's call contain forward-looking statements. These statements are based on management's current expectations and are subject to risks, uncertainties and assumptions. The company's periodic reports that are filed with the SEC describe potential risks and uncertainties that could cause the company's business and financial results to differ materially from these forward-looking statements. All of the information discussed on this call is as of today, August 13, 2026, and Cineverse does not assume any obligation to update any of these forward-looking statements, except as required by law.

In addition, certain financial information presented in this call represents non-GAAP financial measures, and we encourage you to read our disclosures and the reconciliation tables to applicable GAAP measures in our earnings release carefully as you consider these metrics.

I'm Gary Loffredo, Chief Legal Officer, Secretary and Senior Adviser at Cineverse. With me today are Chris McGurk, Chairman and CEO; Erick Opeka, President and Chief Strategy Officer; Sean McCabe, Chief Financial Officer; Yolanda Macias, Chief Motion Pictures Officer; and Mark Torres, Chief People Officer, all of whom will be available for questions following the prepared remarks.

On today's call, Chris will briefly discuss our first quarter fiscal year 2027 business highlights, then Sean will follow with a review of our financial results, and Erick will provide further details on our 2 recent acquisitions.

I will now turn the call over to Chris McGurk to begin.

Thank you, Gary, and thanks, everyone, for joining us on the call today. We registered yet another very strong quarter. Driven by the acquisitions of Giant Worldwide and IndiCue, which both closed during the fourth quarter of fiscal 2026, we increased total revenues by 175% over last year's first quarter and increased adjusted EBITDA by $2.6 million, our second positive adjusted EBITDA quarter in a row. We feel this is impressive as we had no new wide release theatrical films during this quarter, which also happens to be one of our 2 most seasonally slow quarters across all our businesses.

Importantly, technology revenues represented more than 60% of the consolidated total during the quarter. Clearly, technology is now the largest source of revenue for the company, and much of that revenue is recurring and durable with many A-List industry customers now using our products and services. We're also very optimistic about the business and financial prospects for VAUDIO, a new proprietary ad-tech offering that extends brands' audio campaigns onto connected TVs. This new product, which was developed and built by the IndiCue executive team, was just announced yesterday.

Following our 2 key acquisitions, we've embarked on several initiatives to reduce costs, improve efficiencies and generate synergies. We've identified and are now targeting over $13 million in annual upsides from that process, which is well underway, including a $1.8 million reduction in force that occurred after the close of this quarter. And we're not just cutting costs. We're also rationalizing our greatly expanded business footprint to focus on our highest potential and most profitable core products and services to better concentrate management focus and improve margins and profitability.

By our third and fourth fiscal quarters, we should see the great majority of those savings and synergies realized. Those quarters also happen to be our 2 strongest seasonal quarters, and we have 3 high potential wide release films that exactly follow the Terrifier 2 and 3 model in the lineup for those quarters as well. It's also important to note that we improved operating cash flow by over $13 million this quarter. And based on our acquisitions and business rationalization efforts, we should have a much lower CapEx to generate cash going forward.

Let me now speak to our theatrical releasing business for a moment before I turn things over to Sean. We are in the theatrical releasing business in what we believe is a smarter, less risky way than our competitors for one primary reason, to generate a strong return on investment while at the same time, creating recurring revenues by driving viewers and subscribers to our streaming channels and by adding valuable properties to our film library.

Following the same low investment strategy that fully leverages our streaming, podcast, social media and advertising ecosystem as we did on Terrifier 2 and 3, we've now released 3 more films to date using that same strategy. Those films had a high return on investment and now join the ultra-profitable Terrifiers in our library, which should only help increase the value of that asset, which was already assessed at approximately $45 million by an independent firm last year.

We have 3 releases coming up this fiscal year that also exactly follow the Terrifier formula. First up on October 9 is Guillermo del Toro's masterpiece, Pan's Labyrinth, presented for its 20th anniversary in 4K and 3D. In addition to opening the Cannes Film Festival Classics presentation at the Palais in May, we recently conducted a panel featuring Guillermo del Toro and talent from the film in the main hall at Comic-Con, where 6,500 fans gave them a rousing reception. Guillermo also showed 3D footage of the film for the first time to 900 fans, and the footage got another incredibly positive response.

We also took talent from our next film, Air Bud Returns, which will be released on January 22 to Comic-Con. In this case, the talent involved was principally Air Bud himself. The Golden Retriever did his own panel and spent hours taking photos with the fans. We're very encouraged by the reaction we saw at Comic-Con and prior to that at CinemaCon to this iconic and nostalgia-inducing Golden Retriever named Buddy. Finally, we will be releasing the latest installment of the Wolf Creek horror franchise next March. We've seen the rough cut of the film and are very excited about the film's theatrical potential.

And with that, I'll now turn things over to Sean for a financial review. Sean?

Thank you, Chris. A few highlights from our first fiscal quarter. Revenues were $30.6 million, up 175% from $11.1 million in the same quarter last year. This was primarily driven by our $19.4 million (sic) [ $19.5 million ] increase from our new advertising, technology and media services revenue streams. Our direct operating margin for the quarter was 35%, down from the prior year quarter of 57%. This direct operating margin performance, however, was in line with our expectations, reflecting the impact of our fourth quarter acquisitions, including our new advertising technology revenue stream that carried an average 79% revenue share expense paid to supply partners in Q1. And our Media Services revenue stream, a business that we are focused on optimizing throughout the course of fiscal year 2027.

We expect margins to improve as we complete our cost reduction and synergy initiatives, particularly by our third and fourth quarters, where the majority of our impact will be reflected in our financial statements. Net loss attributable to common stockholders for the quarter was $5.8 million, a $2.1 million (sic) [ $2.2 million ] greater net loss than the $3.6 million net loss in the same quarter last year. The decline was driven by a $2.7 million increase in SG&A from increased compensation costs following our fourth quarter acquisitions, $1.8 million from depreciation and amortization, primarily driven by purchase price accounting from our fourth quarter acquisitions, a $1.3 million noncash accounting adjustment from the fair -- from the change in the fair value of our IndiCue earn-out and deferred consideration liabilities and a $0.8 million increase in interest costs from higher utilization of our line of credit from paying down nonrecurring acquisition-related liabilities and convertible note interest.

This compared to the prior year nonrecurring interest income recognized from a reduction in accrued interest following the accelerated payback of our Terrifier 3 loan. These cost increases, however, were partially offset by $4.3 million in increased direct operating profit. Adjusted EBITDA for the quarter was $0.5 million, an increase of $2.6 million over the prior year quarter and an increase of $0.4 million from just last quarter. This represents integration progress. This is now the second consecutive quarter positive and improving EBITDA following the acquisition of IndiCue and Giant. This also occurred with only 1 new theatrical release during those 2 quarters. This momentum affirms our new operating model and when combined with the full impact of integration and cost-saving initiatives, we're looking forward to the opportunity ahead.

While we do anticipate seasonal -- typical seasonal softness in our advertising business in the second quarter, the upcoming U.S. midterm elections and holiday season in addition to the release of Pan's Labyrinth in October, Air Bud Returns in January and Wolf Creek in March are anticipated to contribute to a strong second half of the fiscal year. As such, as a combined entity, we are reaffirming our previously announced guidance for fiscal year '27 of $115 million to $120 million of revenue and $10 million to $20 million of adjusted EBITDA. From a liquidity standpoint, we ended the quarter with $4.3 million of cash and our $12.5 million revolver still effective.

While our net working capital as of June 30, negative $18.9 million, this does include $18 million of deferred consideration and the current portion of the IndiCue earn-out, both of which the company has the right to pay in equity. Finally, from our cash flow from operations has improved by more than $13 million from the first quarter of fiscal 2026. As we move beyond our nonrecurring acquisition-related payments and current theatrical commitments, we see liquidity improvement continuing throughout fiscal year 2027.

With that, I'll turn it over to Erick to discuss our operating highlights in greater detail.

Thanks, Sean. Last quarter, I walked through strategy, but this quarter, I'm going to focus on execution. How we are integrating the acquired businesses, reducing our cost structure and making the combined company work the way we designed it to. So let me start with the most important takeaway. The core work of post-merger integration is substantially complete. Systems, teams and workflows are now unified and the organizational heavy lifting is behind us. From here, our energy goes towards reducing costs, capturing synergies that we've identified and then growing the combined businesses. That shift from integrating to capturing value is what the rest of my remarks are going to be about.

So everything we're doing right now falls under a few priorities. The first is simplifying our product portfolio. Over the last several years, we've built a number of stand-alone products. Some may not meet -- however, some may not meet our contribution margin targets. And some of them are excellent technologies, but don't justify the sales and marketing commitments of a full-fledged product offering. So during the quarter, we have decided to integrate several of our key products directly into Matchpoint as platform features rather than selling them as stand-alone offerings. This does 3 things at once. It makes Matchpoint more valuable to every customer. It makes our story much easier to understand, and it takes out approximately $2.7 million in annualized engineering, sales and marketing costs.

Second priority, transforming how Giant operates. Giant was built on 2 decades of Studio trust doing packaging and delivery work largely through skilled manual operation. Our goal is for Giant to run predominantly on the Matchpoint platform with automation doing the heavy lifting and our people managing exceptions and quality. The margin implications of this move are significant. Work running through the platform can carry gross margins in the mid-70s or higher versus mid-40s for traditional manual workflows depending on the character of the work.

We'll also be leveraging our operations in India and Poland to bring more of the non-packaging work in at structurally higher margins. The commercial results are already showing up. Pairing Giant studio relationship with Matchpoint's automation is winning work orders that neither company could have won alone. Our Revry partnership this quarter, for example, automating the delivery of thousands of content assets through Matchpoint Dispatch is a good example of the model. And the client results are validating the transition. Existing Giant clients, including Neon, PBS and Pluto, a division of Paramount, increased their delivery output individually with us between 45% and as high as 75%.

We've also begun moving Giant customer workflows directly into Matchpoint Dispatch with the first conversions delivering roughly 40% time savings versus manual processing. So that's the margin story actually showing up in real workflows, and we've barely begun. And it should be reflected in our financial results more and more as the year rolls on. The third priority is cost reduction. Part of the integration process was rightsizing our cost structure to match the current focus of the company.

We made $3.8 million of headcount reductions just prior to the start of this fiscal year, plus additional RIFs and vendor eliminations during and subsequent to the end of Q1 that totaled more than $8.3 million, of which $7.5 million will be realized within the current fiscal year. Additionally, we have identified and are in the process of eliminating $5.5 million of additional costs, which include the product streamlining initiative I mentioned earlier. Altogether, we estimate total operating and SG&A reductions of $13 million within this fiscal year, and we expect our cutting efforts to be materially complete by the end of the current quarter or Q2.

On IndiCue, integration is ahead of plan on the metric that matters most, durability. We've cut SaaS customer concentration by nearly half since the acquisition and churn has remained consistently low and net revenue retention sits at approximately 98%. We added new SaaS customers during the quarter as well as new ad network partners and strengthened the commercial team with a new Head of Business Development recruited from one of the leading cloud broadcast platforms. The business continues to scale with increasing monetizable supply and better yields. Total ad opportunities in the quarter reached $3.4 trillion with $3.39 trillion ad impressions served for our customers in Q1.

We expect this growth to scale even faster with the launch of VAUDIO, a new ad-tech offering that extends brands' audio campaigns into connected TV. We believe that 5% to 7% of the $3 billion annual podcast ad spend could eventually migrate into CTV opportunities in the near to midterm, and we're poised with our product to materially help OEMs and channels participate in this innovative new approach. Our goal is to make IndiCue and VAUDIO 2 high-performing growth streams over the course of this fiscal year.

Now on to our streaming business. This was the most watched quarter in company history with 4.5 billion minutes streamed, up 33% year-over-year. Streaming viewers grew 12% to 122.8 million in the quarter, and we ended the quarter with 1.52 million SVOD subscribers, up 12%. Note what these numbers mean together. Minutes are growing nearly 3x as fast as our audience. Viewers are not just more numerous. They're also watching substantially more, and that engagement is what ultimately feeds discovery, first-party data and monetization across the platform. The fandom model keeps compounding channel by channel. Docurama, our documentary network, crossed 100,000 subscribers during the quarter, up 66% year-over-year with its Roku subscribers nearly quadrupling over the past year.

Our flagship Cineverse channel has grown every single month since January 2025 and hit another all-time high, driven first by Amazon and now its May launch on Roku, where we also introduced our new premium channel, So... Real, in partnership with All3Media. And we also launched Gorilla Comedy+, a premium ad-free comedy service entirely on Matchpoint. On the ad-supported side of our streaming business, Dove, The Dog Whisperer, Screambox, and UBO channels all delivered their most watched quarters ever. The Dog Whisperer channel grew 54% year-over-year. Screambox grew 48% with 5 straight quarters of growth and UBO grew 80% with record per viewer engagement.

Our Midnight Pulp cult channel grew more than tenfold year-over-year. Put simply, the acquisitions gave us the assets and with integration substantially behind us, this is now one company built to capture value. Costs will come down rapidly every quarter across the entire organization from here and margins will expand as work moves on to the platform just as our strongest seasonal quarters in our film slate arrive in the back half of the year. We believe we are exactly where we want to be.

With that, operator, we can open up the line for questions.

[Operator Instructions] Your first question comes from the line of Dan Kurnos with StoneX.

Another solid quarter from you guys in terms of progress. So let me take it just from the top line first. IndiCue was about $1 million better than we anticipated in the quarter. I know, Erick, you gave some color on some of the things you're doing, super excited by VAUDIO as well. How do we think about the incrementality of VAUDIO in the near term? What's driving kind of the short-term upside? And as we get into sort of the back half of the year here with political driving up CPMs, just how do we think about sort of IndiCue's ability to benefit from the environment?

I'll dive in and take that. So first up on VAUDIO, I think our goal, we gave some steady-state guidance for that business at around $12 million run rate. This is based off of the IndiCue team's projections on that business, given what they're already seeing in early and pretty extensive trials. The directionality we gave is to hit that rate by the end of the fiscal year. But we think that given the high demand that we're seeing from customers and the strong willingness of large OEMs to participate in what looks to be a unique and robust new opportunity at, frankly, higher CPMs than they're seeing in the CTV market that we think adoption could be quite rapid. So that's the outside guidance, but we're pushing very hard to do it as quickly as possible. So our hope is to start to see real meaningful contribution out of that business towards the end of this quarter and into the very busy season that we're starting to see that starts in our next quarter.

In terms of the political upside, I think once we're getting into the full ramp of that season, the spending is slowly starting to increase now. We think the full intensity comes post-summer lull. A lot of people aren't really at home or paying attention to politics yet. And in turn, the advertising hasn't really ramped to the full frenzy that we're going to expect in the next quarter, but we think that's going to be commencing quite rapidly after the Labor Day holiday. So we're poised to take as much of that business as we can.

Got it. And then on the cost side, we went from sort of modest cost reductions, $8 million, now $13 million in savings and synergies. I don't think there's any real revenue synergy baked into that number. So if you can clarify that. But you guys have always done a great job sort of pruning and readjusting the portfolio. Do you feel like after this round, you guys have sort of the core where you want it to be? Is there more work to be done? Is there more upside to that? Just any additional color you can give there would be helpful.

Yes. This is Chris. I'll let Erick answer that in detail, but I just want to step back a second and say with these 2 acquisitions, we basically doubled the size of the company. We added about 150 employees. We're now spread across 3 continents, and we have 5 offices. So the process of winding that down and streamlining it and realizing all the synergies is job #1 for us right now, and it's a real fertile area. So we're very comfortable with the $13 million target. And as we said, we're going to see most of that really hit our P&L in the third and fourth quarter. But I'll let Erick talk a little bit more about the specifics.

Yes, sure. So that number is predominantly focused on cost reductions. So you're right, it's not inclusive of the broader synergies that will come as the businesses continue to evolve together. But that cost reduction, as I noted in the comments, we have already made about $8.3 million worth of cuts, of which $7.5 million will fully realize in the quarter. And then the balance of these cuts will, as I mentioned, come from the streamlining of the product portfolio. We -- there's not a lot of fluff or hypotheticals in that number that it is actually all realizable reductions that are identified and in the process of being made with the goal of being complete by 9/30. So those numbers are very actualizable.

But just to your other point, Dan, about revenue synergies, VAUDIO is a perfect example of revenue synergies coming out of an acquisition. The IndiCue people were very interested in us because of our strength in connected TV, and they were very interested in our podcast business because they had this VAUDIO idea previously. And obviously, we love their brand relationships and their ad technology. You put the 3 things together and there you have a potential $12 million annual business. And I think that's the first in many synergistic revenue upsides that are going to come from the acquisitions that we did.

It seems like we're just getting started, Chris, for sure, and I appreciate that additional color. So I just want to tie it all together with one thing Sean said just around CapEx spend, which feels like if you add all of these things together, potential revenue synergies, the EBITDA upside from the cost saves now and then the lower CapEx, it feels like free cash flow is going to turn meaningfully positive and accelerate from here. Is that a fair statement?

Correct. And there's no need to add any more color to that.

Kind of what I figured, Chris.

Your next question comes from the line of Brian Kinstlinger with Alliance Global Partners.

I saw in your prepared remarks and your press release, you highlighted there's been some conversion in Giant's manual process to Matchpoint, but I assume it's modest given it's early. So I'm curious how you see -- how long you see the process taking? What are studios indicating? And are they interested in fully transitioning to Matchpoint and over what time frame might you think?

Yes, sure. I can take that. So first up, you're right, it is early days. The first goal was just to have the business operating as one unified company and so we're getting to that place now. The second piece is really getting the teams up and trained on it. To our customers, the really critical thing is all of them actually have pressure to move faster and to drive more work. So the natural business demand is driving towards automation anyways. So we're finding our customers actually demanding more automation, more reporting, more visibility. So we're playing right to the sweet spot of where the market is. And part of that is really driven by the shift of the industry towards -- from individual distribution of one title to thousands of locations to mass catalog pushes, reworks of catalogs, redeliveries and so on.

Today, when we get orders, there are thousands and thousands of title orders, not just 10 pieces here to lots of places. So that, number one, the market is doing it. Two, what's compelling is Matchpoint is transparent to our customers. They don't have to do anything for them to take advantage of benefit when they're working with Giant. They just get the benefit of it. So there's no real resistance to or there's no work to do adoption. It's more of internal pushing Matchpoint into workflows. And that's a process of training. It's a process of some development work to make it work with existing systems and so on. But we -- the goal is to have materially all of the packaging and delivery work, which accounts for 80% of that revenue done in an automated or semi-automated fashion by the closeout of this fiscal year. And then the second goal by the end of the quarter is obviously to take advantage of the offshore resources we have to help further improve margins for parts that can't be fully automated.

Great. That was helpful. One question on theatrical releases. Can you share how many theaters is Pan's Labyrinth expected to be showing on? And while I know monetization doesn't stop at box office sales, remind us what your all-in cost to Cineverse is? And what would success be from a box office sales perspective?

Yes. Good question. Again, I'll reiterate, it's coming out on October 9, and we expect it to be in between 1,500 and 2,000 screens. And our releasing partner on this film is Fathom Entertainment, which is a releasing arm of AMC, Regal and Cinemark. And we're very confident that they're going to be able to secure really great placement on this movie, particularly since it's being presented in 4K and 3D. They had a release a couple of years ago of the 15th anniversary of Coraline. And that movie ended up doing about 75% of its business on 3D and ended up doing really, really well. It did over $30 million at the box office.

Again, the beauty of our model is we don't have to do $30 million at the box office in order to break even and make a very, very nice return. Our all-in investment on this movie, marketing and acquisition cost for a 20-year distribution term is less than $5 million. So our breakeven at the box office is well below $10 million at the box office. And we feel pretty good where we're at right now. As I mentioned in my remarks, the response to Guillermo in this movie, wherever we've taken it, whether it's Cann or ComicCon or screening it is remarkably positive because he's become one of the most respected and beloved filmmakers in the world. And the movie trailer in front of the Odyssey, we got great trailer placement on it, and the reaction in theater was very, very positive as well. So we're very bullish on this movie, both the fact that the risk-reward profile is great and the response so far among the fans out there has been fantastic.

We have reached the end of the question-and-answer session. I will now turn the call back to Chris McGurk for closing remarks.

Thank you, and thanks to all of you for joining us on this call today. As always, Julie Milstead will be available if you have any follow-up questions at all. And we look forward to speaking to you again on our next quarterly call. Thank you all.

This concludes today's call. Thank you for attending. You may now disconnect.

Hello, everyone. Thank you for joining us, and welcome to Cineverse Fourth Quarter and Fiscal Year 2026 Earnings Conference Call. [Operator Instructions]

I will now hand the conference over to Gary Loffredo, Chief Legal Officer, Secretary and Senior Adviser. Gary, please go ahead.

Good morning, everyone. Thank you for joining us for the Cineverse Fourth Quarter and Fiscal Year 2026 Financial Results Conference Call. The press release announcing Cineverse's results for the fiscal fourth quarter ended March 31, 2026, is available at the Investors section of the company's website at www.cineverse.com. A replay of this broadcast will also be made available on Cineverse's website after the conclusion of this call.

Before we begin, I would like to point out that certain statements made on today's call contain forward-looking statements. These statements are based on management's current expectations and are subject to risks, uncertainties and assumptions. The company's periodic reports that are filed with the SEC describe potential risks and uncertainties that could cause the company's business and financial results to differ materially from these forward-looking statements. All the information discussed on this call is as of today, June 26, 2026, and Cineverse does not assume any obligation to update any of these forward-looking statements, except as required by law.

In addition, certain financial information presented in this call represent non-GAAP financial measures. And we encourage you to read our disclosures and the reconciliation tables to applicable GAAP measures in our earnings release carefully as you consider these metrics.

I'm Gary Loffredo, Chief Legal Officer, Secretary and Senior Adviser at Cineverse. With me today are Chris McGurk, Chairman and CEO. Erick Opeka, President and Chief Strategy Officer; Tony Huidor, President of Technology and Chief Product Officer; Sean McCabe, Chief Financial Officer; Yolanda Macias, Chief Motion Pictures Officer; and Mark Torres, Chief People Officer, all of whom will be available for questions following the prepared remarks.

On today's call, Chris will briefly discuss our fourth quarter and fiscal year 2026 business highlights. Then Sean will follow with a review of our financial results, and Erick will provide further details on our 2 recent acquisitions. I will now turn the call over to Chris McGurk to begin.

Thank you, Gary, and thanks, everyone, for joining us on the call today. First, I want to note that we're very happy to have our new CFO, Sean McCabe, here with us on the call today. Sean was our controller previously and returns to the company as CFO having acquired some valuable experience in the ad tech business, which, as you'll hear today, is going to be a big part of our future following our acquisition of Indic and all the related synergies that, that's going to create with the rest of our business.

So let me first review our operating highlights for this quarter. Then Sean will get into more detail about our financial results and guidance. Erick will then explain our post-acquisition strategy going forward as a scaled AI-powered fully integrated technology and service provider to the entertainment industry with assets in the synergy flywheel that we believe none of our competitors can match. After that, we'll take your questions.

So we have a very strong fiscal fourth quarter. We generated $26 million in consolidated revenues, up 67% over the prior year period. This reflected solid performance in our base plus a partial quarter contribution from our 2 new acquisitions, Giant Worldwide and Indic of $11.6 million. We acquired Giant Worldwide in January and IndiCue in the middle of February. So we fully expect an even bigger revenue contribution from those acquisitions when we record their full impact on our next reported quarter. Importantly, a significant portion of those revenues come from durable, recurring, fast-growing technology-based revenue streams from a large array of major studio and streaming customers which was a major rationale for the acquisitions themselves.

Based on preliminary results so far in our first fiscal quarter of 2027, we expect that these acquisitions will be an even bigger positive engine for our financial performance in the next reported quarter and beyond. We also recorded net income attributable to stockholders of $1.1 million, a 51% increase over the prior year period. This was driven by a $4.3 million bargain purchase gain on the Giant Worldwide acquisition and a $2.9 million income tax benefit primarily coming from the Indic acquisition. Both of those upsides are additional strong indicators of the quality of the deals we cut for both companies as well as their upside value creation potential for Cineverse.

Overall, we believe that fiscal year 2026 was one of the most consequential years in our history. We followed up the unprecedented success of Terrifier 3, the highest-performing unrated film in history by quickly and decisively moving to convert that momentum into a structurally sounder and even higher growth company by completing the acquisitions of Giant Worldwide and then IndiCue in the span of 6 weeks during this reported quarter. These deals fundamentally strengthen and change what Cineverse is as a company. We are now a technology-first AI-driven fully integrated entertainment company with 3 powerful and mutually reinforcing growth engines, a proven low-risk, high-potential return, wide release film slate strategy, a scaled streaming and podcast portfolio with a vertically integrated advertising technology and a media services business built around our Matchpoint technology platform.

As I just described, the positive financial impact has been immediate and will only get bigger going forward as we report full quarter results, finish integrating the 2 companies into Cineverse and fully realize significant cross-business synergies across our technology and entertainment ecosystem. The strategic logic of these transactions is clear. IndiCue brings to the table a connected TV monetization platform, serving more than 40 live clients plus an additional 75 publishers onboarding. Giant Worldwide, now a MatchPoint company brings deep and long-standing studio relationships directly into our automated media services ecosystem.

Combined, this creates a powerful flywheel. MatchPoint's automated content supply chain feeds indices monetization engine while IndiCue's advertiser demand increases the value of every channel, film and TV title and partner we serve. This expanded Cineverse flywheel not any single channel film, TV series or distribution deal is the key growth and performance engine behind our fiscal 2027 guidance of $115 million to $120 million in consolidated revenue and $10 million to $20 million in adjusted EBITDA, which we are reaffirming today. Again, a significant portion of those revenues will be durable and recurring and over 50% will be technology based. At the same time, our franchise IP-based wide release film strategy continues to perform exactly as designed, high upside potential with limited financial risk. That's because our strategy fully utilizes the tightly coupled Cineverse ecosystem technology platform and the flywheel I just described.

Our upcoming slate includes the 20th anniversary theatrical rerelease of Guillermo del Toro's Oscar-winning masterpiece Pan's Labyrinth this October, presented in 3D and 4K formats. When first released in 2006, the film received the longest standing ovation in the history of the [indiscernible] film festival. That record still stands. We just took the phone back to can 6 weeks ago, where it was selected as the opening film of the festival. It screened before a packed house at the [indiscernible] theater and received a tremendous ovation and great critical reaction once again.

Next up after Pan's Labyrinth will be a much different type of them. However, it comes from an IP franchise that is also very beloved, this time by family audiences. Air Bud returns in January 2027. After that, we returned to our horror wheelhouse with the latest installment of Wolf Creek in March 2027. All 3 of these films closely follow the Terrifier 2 and 3 blueprints of acquiring known IP properties with large built-in fan bases, high upside potential and low financial risk. These titles will generate recurring revenues for Cineverse by driving viewers and subscribers to our streaming channels and then becoming valuable long-term additions to our library. Expect more news about additions to our film slate that closely follow this formula very soon.

And with that, I'll now turn things over to Sean for a financial review. Sean?

Thank you, Chris. First, a few highlights from our fiscal fourth quarter revenues were $26 million, up 60% from $16.3 million last quarter and up 67% from $15.6 million in the same fiscal quarter last year. The increase was primarily driven by $11.6 million of revenue from our new advertising technology and media services revenue streams from our fourth quarter acquisitions of IndiCue and Giant during their first partial quarter.

Net income attributable to stockholders for the quarter was $1.1 million, a $2.1 million improvement or the net loss of $1 million last quarter. This improvement was aided by $2.9 million of income tax benefits primarily realized from the IndiCue acquisition and a $4.3 million bargain purchase gain on the Giant Worldwide acquisition. Though the bargain purchase gain is nonrecurring, we do believe it is a strong indicator of the quality of the deal price and the value creation opportunity for the company heading into fiscal year '27. Adjusted EBITDA for the quarter was $0.1 million, a decrease of $2.3 million from $2.4 million of adjusted EBITDA last quarter. Our direct operating margin for the quarter was 40% down from last quarter's 69% in the prior quarter is 55%. We anticipate our gross margin to evolve with our fourth quarter acquisitions based on the nature of their businesses, but more critically, we anticipate both margin and EBITDA -- adjusted EBITDA improvement from quarter 1 to quarter 4 of fiscal 2027 as integration and cost savings initiatives are completed.

This quarter, we had a focus on acquisition integration and ensuring we get this right in order to put us on an optimized path as we head into fiscal year '27. As a combined entity, we are reaffirming our previously announced guidance for fiscal year 2027 of $115 million to $120 million of revenue and $10 million to $20 million of adjusted EBITDA. The combined impact of Giant and IndiCue acquisitions represent a financial transformation for the company and are expected to create significant shareholder value. From a liquidity standpoint, we ended the quarter with $3.4 million of cash, our $12.5 million revolver still effective and an ATM facility recently increased to $30 million. While our net working capital as of March 31 is negative $12.2 million. This does include $12.2 million of deferred consideration relating to the Indic acquisition, which the company has the right to pay in equity.

With that, I'll turn it over to Erick to discuss our operating highlights in more detail.

Thanks, Sean. So first, I want to start with a review of where the industry is at and then turn to our operating results. Given the recent acquisition of Roku by Fox and the broader media environment where the industry is heading lines up directly with our direction, and we think it's strongly in our favor.

So 3 shifts are happening at once. First is consolidation is we're all seeing. As companies scale, they're tired of bolting together separate systems for delivery, encoding, ad serving and data that were never built to talk to each other. They all want a single pane of glass, one system that runs the entire supply chain and works tightly together. That is, at its core, with our Matchpoint technology and operating platform now is. We built the operating layer for the media supply chain from ingestion through delivery, through monetization. Most importantly, and this is the part I want to stress, there is no commercially available version of this at scale anywhere else in the market, a company that wants a fully unified technology stack today has 2 options. It's been years building it or come to us. And that's our moat.

The second shift is that the same consolidation is opening lanes for smaller focused companies to scale quickly, and we serve both ends of that. The large platforms consolidating under our stack and new challenges using it to evolve from a single app or content library into a full platform. For example, Gorilla Comedy+ launched a subscription service on MatchPoint this quarter, and we're seeing the same pattern with lots of our other partners. The company decides to go from being a producer and content library into a platform for the fastest and most affordable way to get there. The third shift in the largest is the move to ad-supported streaming an AVOD or AVOD, in particular. According to Nielsen, ad supporting viewing reached 74% of all U.S. time in the fourth quarter, the highest level of the year. And according to eMarketer, ad support and streaming now reaches more than 200 million people in the U.S. on its way to roughly 2/3 of the country by next year.

The whole industry is racing to scale its ad-supported asset base and Fox's purchase of Roku is the clearest signal yet a deal built around owning ad-supported on-demand machine at scale. Every company watching this now knows it needs to scale its own ad-supported business quickly and affordably. This plays into our entire platform, not just one piece of it. Scaling and ad-supported business means preparing, delivering and monetizing far more content than ever before. And this is exactly what MatchPoint and Giant do on the supply side and what IndiCue does monetization and it lets the customer run all of it inside one integrated stack rather than stitching together a dozen vendors and giving up margin and data at every step. These projects are underway now and we're seeing customers plan for considerable scale into the back half of the year. We view this as a positive multiyear trend as the rest of the industry works to catch up with the kind of catalog scale that Fox and Roku are now combining.

We're not observing these shifts from the outside. They're moving towards what we've already built. So we're already seeing this rapidly evolve into a growth engine for us. Our unmatched ability to automate media delivery is letting major studios, channel operators and streaming platform partners pursue initiatives that just weren't achievable before. And this is allowing us to expand and win work with them that Giant could not have done on its own or could we have done in our own. Bearing Giant's 2 decades of Studio Trust with MatchPoint's robust automation capabilities is winning significant work orders that we could never have won alone before the acquisition. And as a result, we've continued to develop a agentic software automation to rapidly keep up with this demand.

Alongside that, we're broadening our customer base and adding new customer logos across the business. On IndiCue specifically, we've cut customer concentration by nearly half since we acquired it. And with several new product innovations and initiatives rolling out over the course of this year, we expect that to keep improving materially. IndiCue's net revenue retention sits at nearly 98% today, which bodes very well for the continued growth of our recurring SaaS revenue as we scale it.

So now to our results. I'll start with engagement because that's where the growth is most visible. We ended the quarter with 1.52 million SVOD subscribers, up 13% year-over-year. More importantly, the engagement underneath that grew far faster. Streaming viewers were up 66% to nearly 130 million and total minutes streamed, rose 58% to 4.4 billion for the quarter. Our engagement growing 4x to 5x faster than the subscriber base is exactly what we want to see because it's that reach and the first-party data that feed discovery monetization and the rest of the business and ultimately provides the revenue growth in future quarters. And it also dramatically expands the top of the funnel for our subscription business.

And on that subscription side, our fandom model is compounding channel by channel. Several of our SVOD channels hit an all-time subscriber high in the quarter. Docurama was up 47% year-over-year and has since crossed 100,000 subscribers in its eighth straight month of growth. Midnight Pulp was up 18% with its Roku subscriber base more than doubling. Meanwhile, our flagship Universe channel has grown every single month since we launched driven first flights to be on Amazon and now by its recent launch on the Roku Channel in May, where we introduced it alongside a new premium channel on Roku so real. So that free-to-paid funnel is working in real time. It's turning our ad-supported viewers into paying subscribers.

The ad-supported side is just as strong, which matters given where the industry is heading. Several of our biggest fast channels delivered their most watched quarters ever. The Dog Whisper was up 84% year-over-year. It's eighth consecutive quarter of growth since launch. And Screambox was up 40%. Midnight Pulp boosted by its launch on YouTube and Twitch grew more than tenfold year-over-year on the ad-supported side. This is the AVOD momentum we talked about earlier, showing up directly within our own properties.

I also want to briefly address our investment in micro dramas. During the quarter, we restructured our investment in [ Mickey Rourke ], which is now rebranded as a Twist, moving from a joint venture into a passive minority stake. We believe in this space and intend to stay involved commercially because of the growth and potential there are real. However, this approach lets us keep our attention and capital focused on our core business and recent acquisitions but retained meaningful upside avoid distraction, avoid dilution and heavy investment in an early-stage joint venture. We think this is the right outcome for both Cineverse and our shareholders. The Twist team is creating traction already, including with Paramount and other potential partners, and we look forward to watching them take on the premium end of a rapidly emerging space, but we leverage our content and technology assets across the entire growing microdrama space. We still retain the ability to invest pari-passu with other institutional investors as that business scales if we choose to do so.

At the same time, we're maintaining cost discipline we committed to last quarter. We completed approximately $2 million in SG&A cost reductions through the end of the fiscal year and remain on track to realize the vast majority of the remaining $5.5 million of our $7.5 million cost reduction program by the end of the second quarter of fiscal '27 while also capturing approximately $2.5 million in annualized synergies from integrating Giant into MatchPoint. As these cuts take hold, believe our studio and streaming operations, inclusive of corporate overhead or near run rate profitability. So we're building for scale, for margin and for durability, as Chris mentioned, in the way this industry is consolidating only sharpens our advantage. We're extremely well positioned for the year ahead.

With that, operator, we can open up the line for questions.

[Operator Instructions] Your first question comes from Dan Kurnos with Stone X.

We looking sharp into '27 here, nice momentum. I guess first question is since you guys have completed and closed the acquisitions. Any kind of initial learnings you guys have had any incremental business opportunities, revenue vectors that you're thinking about? I know it's early. And then on the synergy side, obviously, great to see the synergy number coming up. I appreciate the update there. Can you just give us a cadence on how you think that's going to play out and kind of where you're finding the incremental synergies coming from?

I'll let Erick get into more detail on that. But I got to say our -- both the acquisitions combined are performing better than we thought already, especially now that we're seeing the integration being completed, and we're seeing the full monthly results both of them. So I think our surprise is that the flywheel that we put down on paper, it's actually working better than we anticipated, and we're really thrilled by both acquisitions and how they're working together with Matchpoint, and the rest of our business.

Erick, do you want to add something on additional synergies?

Yes. So sorry if you can hear me there. Yes, Dan. So I'd say as we just came from Stream TV, which is the largest conference in the media streaming media sector globally, actually, specific to the advertising space. And essentially, what we've assembled here with the various assets that we've acquired and put and combined into a platform is as I noted in my remarks, it's exactly what the market is really looking for right now. Scale is important. The days of sort of incrementalizing small libraries to compete, you need massive scale to reap the benefits of AI. You can't have a few hundred titles, you need hundreds of thousands of titles. So partners are really looking how to scale up and you just can't do that with the manual processes that are out there.

So I think the -- our timing was [indiscernible]. And a lot of it was based off of our own experiences as operators in the market, seeing where that opportunity is. And that operator experience sort of gave us an early vision into what the market was going to need, and it's turning out to be quite true right now.

In terms of incremental synergies, I think one of the big opportunities as we get to learn and understand these businesses, there's what you know, pre-acquisition and then there's what you know on the ground as you're operating these businesses. We are seeing significant opportunities for optimizing these businesses especially a business like giant that is has good processes, but could stand to use a lot of the automated processes that we work with. So we think that is something that we'll be continuing to press over the quarters. Obviously, we know Cineverse has strong international operations at a very good cost basis. which we haven't really begun yet to exploit. So I think those are 2 avenues. And then lastly, combined integrated selling. We have a very large, diverse team now selling a lot of different products. getting those teams to cross-sell is a pretty substantial synergy that is really just starting, and we'll be scaling up over the course of the year.

And just on the revenue side, how do you -- how are the conversations with kind of networks and studios going, especially with Giant? And on the IndiCue side, side of curiosity, do you guys benefit from seasonality in political as we get into the back half of this year, calendar wise?

Yes. So on 2 buckets. First, on the on the large customer, large enterprise studio side. Once again, all of those partners have are in scale-up mode or optimization mode. So studios that we know are in scale-up mode are effectively ramping up and want automated, highly visible solutions to scale their business and make more revenue. And so those -- we're starting to see either both existing customers, which really work with a lot of the major studios already are scaling up. And then with new customers or other studios that need to dramatically overhaul or improve their operations are coming to us. And we anticipate being in business with a lot more of them this year, if it goes -- it breaks away, we think it's going to break. Second part of your -- the second part of your question, Dan, can you repeat that?

Yes. Sorry, just on do you benefit from seasonality and political, as you would typically see with the DSP ad tech type company?

Clearly, we're going to benefit this year. So that could be an upside to our guidance.

Your next question comes from Brian Kinstlinger with Alliance Global Partners.

The studios that you highlighted, how is the [indiscernible] after this combination? I know you've had some trouble with MatchPoint penetrating them, what are conversations like regarding converting to MatchPoint now that the combination is complete?

So I can take this one, and Tony can add some color on that. So when we first started launching enterprise sales on Matchpoint, it's always -- it's the IB manageable. People want to have proof points that product can be trusted in the market to handle scale opportunities. So the good news is with the addition of Giant, we have very strong over 20-year studio operating trust with those partners, and that's led to us being into major RFPs on a variety of different products and opportunities that we think has -- it's really demonstrating our ability to compete with the best in the industry.

But beyond that, we're finding that we're either winning RFPs or look to be winning RFPs simply because most of the people we're competing with don't are competing with our have manual or semi-manual or partial solutions or systems integrators, they don't actually control or own the full stack. So I think that's -- I think that environment has changed pretty dramatically, and it's going to be a big part of our growth this year.

Great. Erick, you mentioned the streaming your numbers and KPIs are all up huge, I think, year-over-year. Yet revenue without M&A is flat year-over-year. Can you speak to the markout dynamics for the legacy business, the pressure on advertising? Is it challenging inventory bills? Just maybe speak to the legacy year-over-year comps?

Yes. So just first of all, Brian, last year, we had the spillover effect of Terrifier 3. We were still generating huge revenues in the ancillary markets after the theatrical release in October. So that made the comparison tougher was the film performance last year. But go ahead, Erick.

Yes. So on the ad market, we're still -- so we saw probably the fastest growth in the fast pace in terms of channel and competition. So you have competitors, some studios have 80, have launched 80-plus channels into the market. on top of adding in Netflix, inventory, Amazon Prime inventory and so on and so forth, every major streamer. So I think the market really hadn't -- hasn't -- is just starting to have absorbed that volume of impressions in the market. And so that has obviously caused, I think, temporarily a depression in CPMs and fill rates.

But we're starting to see that rebound, I think -- we think last year was kind of below. I don't think you're going to see the same level of launch. I think the migration of ad dollars from television is still accelerating and CTV is still double-digit growth. So I think us having the audience and the share puts us in a prime position as that changes. Also us owning an ad tech platform and having experts at monetization, we think that's going to be engine to take advantage of that audience and fill those impressions quite handily as they do already for a lot of their customers.

Great. One follow-up on financials. First, a 2-part outside of political, can you just speak now to the overall seasonality of this new business combination? Maybe December is the biggest piece, what percentage is that? What's the quarter from revenue is generally the weak in seasonality? And then on your EBITDA guidance, what does that equate? Do you think in a range of free cash flow, which includes content costs, capital expenditures and any charges that are cash related to cost cutting?

Sean, do you want to -- well, I think we can -- I think we -- first, I'll tackle the seasonality piece of it. So even though we've expanded the different lines of business, Giant and IndiCue still follow a lot of some of the seasonality that we had overall as a company.

So on the seasonality side, Q3 is still going to be our data, which is calendar Q4, fiscal Q3 is still going to be our heaviest quarter in terms of volume and revenue. It's that will sort of mirror to that. I think we've seen some of the IndiCue trends actually kind of buck Q1 being as slow as we would normally see on advertising. So they've been able to maintain and manage scale and volume in that quarter. So it won't be quite the dip that we would see when we didn't sort of control the ad tech stack. In terms of giant seasonality also does kind of match the entertainment cycle where there's usually typically a big demand going into calendar Q4, our fiscal Q3, it would probably be pulled about a quarter forward as companies prep to deliver lots of content going into that quarter. So that's sort of the seasonality impact.

Sean, I think we can probably follow up with you on sort of the detailed financial questions. But Sean, is there any color that you think we can give them on?

Yes. A question again, Sean, was how does the EBITDA guidance of 10 to 20 match up with what our cash position might be at the end of the year.

Yes. I mean, just keeping it fairly tree to the 10-K for the specific details. But I'd say, generally, with the EBITDA improvement, I think you would see relief from the cash and liquidity perspective naturally as we work our cost savings in and increase the revenue I would say I'd probably leave it at that. But if there's anything else, I think we have our recently increased ATM facility as well, which is a life lining case needed, but I'd say generally, I'd say that you would expect from the guidance that we'd have the -- an improving cash flow and liquidity situation.

Your next question comes from Laura Martin with Needham.

So I'm going to ask 3. The first one is your acquisition road lap, what's missing that would make this value chain you've assembled more valuable? Second, most going to ask about KPIs. Over the next 12 months, what KPIs are you going to be tracking internally and externally disclosing that will indicate to us whether you're successful, whether the strategic pivot of doubling your size has actually been successful? And then third, Erick, I would love for you to talk about micro dramas. I remember having dinner with you and having sort of a dynamic debate. And now it sounds like you're sort of stepping back from the microdrama business and you guys were early adopters there. So I'd really be interested in your learnings and what you learned about, I guess, financial limitations to the return on capital, presumably in the microdrama space. Those are my 3.

I'll let Erick -- this is Chris. Thanks for joining the call, Laura. Just on the microdrama piece, as we got into it, there's just a huge level of investment that's going on in that space right now. From the players that are already in the business, a lot of big Asian media companies on these platforms, and they're spending like $1 million a day to market their platforms and their channels.

Obviously, that ups the stakes quite considerably. And then you've seen a lot of the big Hollywood players get involved. And I just think our gut feeling at the end of the day was we should be selling picks and shovels to that business versus getting involved in an arms race in that business and spending at the levels that the competitors were spending at. We can leverage our technology. We can leverage our content library. We can leverage our ability to market using our ecosystem in a really smart way in that space in order to drive revenues and participate in the business, and we think we can do it in a smarter, lower investment way, particularly at a time when we're trying to assimilate these 2 great acquisitions and drive the business ahead. So that was our thinking in that space.

And I'll let Erick respond to your other 2 questions. Erick, acquisition road map and KPIs.

Yes. So I'll start on the acquisition piece here. first thing as we kind of look at what we see already working is any business that we think could benefit from leveraging our technology to increase margins in brief scale and provide us greater market share. So we think the encoding and packaging space is pretty ripe for that most of those competitors sort of fit the same profile of the one we just acquired, where we think we can -- using technology and combined scale, we could add 20-plus points of margin to those businesses. So we think those fit.

Also, we think as we look at the at the supply chain tasks and capabilities that could plug nicely into our platform. Other technology providers that provide critical automated services but are maybe subscale on their own. So if you think of the various pieces of work whether it's metadata enrichment, AI enhancement of content, other things that you could put into a platform in the same way that's a -- you would -- sales force could maybe verticalize and acquire things to put into their ecosystem. Same goes for us in the media supply chain. So we think either things that bring scale or sort of support this flywheel are going to be on the track.

Really on the KPI front, I think we've been talking about, clearly, we have a couple of different businesses. We're looking at for our software business, some of the usual, especially the SaaS business around the advertising net revenue retention, increase in customer annual spend and particularly on the media network side, looking at our [ TAC ] in that business, which all of those are going to -- are being discussed now in terms of future KPIs to add. And then, of course, in our services and media services business, it would be similar to KPIs, particularly as we're looking at doing a lot of long-term contracts and more complex build-outs with studios, we think those similar SaaS metrics will be applying to those businesses as well. And obviously, looking at software-like margins out of these services businesses. So really close margin look.

And then just to further the last thing on the microdrama side, I think since you and I spoke, there's been about 400 microdrama launches -- microdrama service launches globally or something near that many of those, as Chris mentioned, losing hundreds of millions of dollars a year. We've been down that road in 2014, 2015 in the early days of streaming, and that's why we're, as Chris mentioned, in the picks and shovels business now quite heavily for that business because we just think that's a -- we -- I'd rather be selling content to 400 microdrama services and services been competing with 400 services. So that's sort of the rationale there.

This concludes the Q&A session. We will now turn the call back to Chris McGurk for closing remarks.

Thank you all for joining us today, and please feel free to reach out to Julie Milstead with any additional questions. We look forward to speaking to you all again on our next quarterly call, where we'll see the full impact of the 2 acquisitions that we just made. Thank you all very much.

This concludes today's call. Thank you for attending. You may now disconnect.

Good day, everyone, and thank you for joining us, and welcome to the Cineverse Corporation Fiscal 2026 Third Quarter Earnings Call. My name is Luca, and I will be your operator today. [Operator Instructions] I would now like to turn the call over to Gary Loffredo, Chief Legal Officer, Secretary and Senior Adviser for Cineverse. Please go ahead.

Good afternoon, everyone. Thank you for joining us for the Cineverse Fiscal Year 2026 Third Quarter Financial Results Conference Call. The press release announcing Cineverse's results for the fiscal third quarter ended December 31, 2025, is available at the Investors section of the company's website at www.cineverse.com. A replay of this broadcast will also be made available at Cineverse's website after the conclusion of this call.

Before we begin, I would like to point out that certain statements made on today's call contain forward-looking statements. These statements are based on management's current expectations and are subject to risks, uncertainties and assumptions. The company's periodic reports that are filed with the SEC describe potential risks and uncertainties that could cause the company's business and financial results to differ materially from these forward-looking statements.

All the information discussed on this call is as of today, February 17, 2026, and Cineverse does not assume any obligation to update any of these forward-looking statements, except as required by law.

In addition, certain financial information presented in this call represent non-GAAP financial measures, and we encourage you to read our disclosure and the reconciliation tables to applicable GAAP measures in our earnings release carefully as you consider these metrics.

I'm Gary Loffredo, Chief Legal Officer and Senior Adviser at Cineverse. With me today are Chris McGurk, Chairman and CEO; Erick Opeka, President and Chief Strategy Officer; Tony Huidor, President of Technology and Chief Product Officer; Mark Lindsey, Chief Financial Officer; Yolanda Macias, Chief Motion Pictures Officer; and Mark Torres, Chief People Officer, all of whom will be available for questions following the prepared remarks.

On today's call, Chris will briefly discuss our fiscal year 2026 third quarter business highlights. Then Mark will follow with a review of our financial results, and Erick will provide further details on our 2 most recent acquisitions.

I will now turn the call over to Chris McGurk to begin.

Thanks, Gary, and thanks, everyone, for joining us on the call today. I'll first give a brief overview of our results and the anticipated impact of the 2 transformative acquisitions, Giant Worldwide and IndiCue that we made after the end of our fiscal third quarter. Then Mark will go into our financial results and outlook in more detail, plus further outline both acquisitions to underscore why we believe they will be very accretive and we were done with very attractive valuations and have deal economics that will dramatically improve our financial growth and profitability outlook.

After that, Erick will get into more detail about how these 2 acquisitions transform Cineverse into a powerhouse, comprehensive AI-powered technology services provider to the entertainment industry with assets and reach that we believe none of our competitors can match.

Then we'll take your questions. Okay. So we have been negotiating the Giant and IndiCue acquisitions for months. And while we realized the dramatic impact both would have on our market position, go-forward strategy and financial outlook, our first order of business, while we aggressively moved to close both deals, was to improve operating results in our base businesses to further set the stage for financial success in the future.

And so in this last fiscal quarter, we concentrated on improving our cost structure and operating margins in our base businesses. And we generated some strong results, improving our direct operating margin to 69%, up from 48% in the prior year quarter and generating adjusted EBITDA of $2.4 million, a $6 million improvement from the prior sequential quarter.

This was a result of our intense and ongoing efforts to manage the cost side of the business, including leveraging Cineverse Services India, even as we ramped up operations on the technology side of the business in anticipation of these 2 acquisitions. And we are extremely pleased that we were able to successfully acquire both Giant and IndiCue.

This one- two punch immediately transforms our company financially by adding significant revenues and adjusted EBITDA. Both acquisitions bring large, durable and scalable streams of recurring revenues to the company and significantly solidify our position as a leading end-to-end AI-powered provider of technology services and infrastructure solutions for the entertainment industry.

They both have an A+ level roster of industry clients and will be easily integrated into our industry-leading Matchpoint technology ecosystems. Both acquisitions also bring very strong, experienced and highly motivated management teams that clearly see the synergies and share our larger vision for the future of Matchpoint and Cineverse.

Like the Cineverse team, they are joining, our new team members have incentive plans based on generating explosive future growth in revenues, margins and profits. And in the case of IndiCue those incentives also include a very significant earnout potential over 3 years. So we believe we are completely aligned with our new team members to generate strong financial results and create significant value going forward.

And already, the integration of Giant has been going very smoothly and the overwhelmingly positive industry response to joining Matchpoint has exceeded our expectations. If there are any doubts about the long-term potential of Matchpoint, those doubts have been roundly dismissed. The immediate response we received within days of our announcement proves the merging Matchpoint with an established media delivery company with highly coveted approved vendor badges is the ideal profile for the type of service provider entertainment companies seek.

In the days following our announcement, Giant received more work orders than they have in the history of the company. And at this early juncture, we confirm our prior expectations for Giant's short- and long-term revenue and profit contribution, and we feel very, very positive about how things are looking so far.

And in addition, IndiCue has consistently outperformed their own internal monthly revenue and profit forecast over the last several months while we were in negotiations. So both of those factors combined with the financial improvement we generated in our base business this quarter give us great confidence in the financial guidance we just issued for fiscal year 2027, which starts this April 1.

We project $115 million to $120 million in annual revenues and $10 million to $20 million in adjusted EBITDA from our consolidated operations this next fiscal year. In the end, these acquisitions were the result of a long-term thesis built on closely tracking our industry's delayed transition to true AI integration and automation.

The content volume needed to compete in the streaming wars accelerated yet the video delivery infrastructure remain manual and slow to market. While costs for video and high volume became untenable. This created the opportunity for a unified intelligent platform with a unique monetization component that redefines the current ecosystem. I believe we finally achieved this.

And with that, I will now turn things over to Mark and then Erick to get into all this in more detail. Thank you.

Thank you, Chris. First, a few highlights from our fiscal third quarter. Revenues were $16.3 million, up from $12.4 million last quarter and down from $40.7 million in the same fiscal quarter last year. If you recall, the prior year fiscal year -- prior year fiscal quarter included the theatrical results of Terrifier 3, which were in excess of $20 million.

Our net loss for the quarter was $875,000, a $4.7 million improvement over the prior quarter. Adjusted EBITDA for the quarter was $2.4 million, a $6 million improvement over the prior quarter. We ended the quarter with $2.5 million of cash and $4.2 million of availability on our East West Bank revolver.

Now let's talk about the exciting subsequent events this quarter. As Chris noted, we closed on 2 acquisitions after quarter end. Giant was an all-cash asset acquisition for $2 million with only a $350,000 initial payment on closing and $1.65 million in deferred payments over the next 4 quarters. This for a business that we conservatively expect to generate revenues of $15 million to $17 million and adjusted EBITDA of $3.5 million to $4 million for our 2027 fiscal year.

The ability to acquire assets that will perform at this level were just 0.5x adjusted EBITDA with no leverage or dilution is the first step of our company's financial transformation.

The IndiCue acquisition was step 2. This acquisition was a business combination for 100% of the equity of IndiCue for base consideration of $22 million. $12.8 million of which was paid at closing and included deferred consideration of $9.2 million due within 1 year of closing in cash or equity at the company's discretion. Total consideration could increase to $40 million if IndiCue meet certain future revenue and gross profit milestones over the next 3 years.

In addition, the acquisition included $3 million of cash and $750,000 of net working capital at closing. The additional earn-out consideration is payable in cash or equity at the company's discretion. IndiCue is expected to contribute more than $38 million of revenue and $7 million of adjusted EBITDA for our 2027 fiscal year.

We financed the IndiCue acquisition with $13 million of convertible notes with existing long-term Cineverse shareholders at company-friendly terms, reflecting the investors' strong conviction in our investment strategy and long-term valuation creation of this acquisition for our current shareholders. Importantly, the capital came from aligned long-term investors with no warrants attached and the additional equity raise was priced at or near market with fundamental investors.

The entire Cineverse C-team also invested alongside the transaction, reinforcing our alignment with shareholders. The combined acquisitions are expected to contribute in excess of $50 million of revenue and $10 million of adjusted EBITDA for our 2027 fiscal year. As a combined entity post Giant and IndiCue acquisitions, we are providing guidance for fiscal year '27 of $115 million to $120 million of revenue and $10 million to $20 million of adjusted EBITDA. The combined impact of the Giant and IndiCue acquisitions represent a financial transformation for the company and are expected to create significant shareholder value in the future.

Separately, from the acquisitions, on February 12 and closed this morning, the company sold 1.725 million shares of common stock at a purchase price of $2 per share for net proceeds of $3.2 million. We intend to use the net proceeds for working capital and for general corporate purposes, including the financing of content acquisition and development.

With that, I'll turn the floor over to Erick to discuss our operating highlights and the acquisitions in greater detail. Erick?

Thanks, Mark. So I want to start with a quick recap of what we've delivered operationally this quarter and then spend the bulk of my time on why the Giant, IndiCue acquisitions are so strategically important to where we're positioning Cineverse for the next chapter.

So on the operational side, we continue to see strong momentum across our streaming ecosystem. We reached 35.5 million unique viewers on a monthly basis over the quarter with our SVOD subscriber base growing 15% year-over-year to 1.55 million. On a monthly basis, we're streaming about 1.14 billion minutes each month.

Our content library now exceeds 66,000 total assets, including nearly 58,000 films, seasons and episodes, plus over 8,500 podcasts. Our social footprint has now grown to more than 25.4 million followers. These aren't vanity metrics. This is reach, engagement and content gravity that matters when you're building distribution advantages.

And specifically, on the Cineverse channel, our namesake channel, we added approximately 45,000 subscribers in calendar 2025, giving us room momentum heading into our new fiscal year. I also want to highlight our operating leverage. Our direct operating margin hit 69% this quarter, up from 48% a year ago. That's a significant inflection. On the cost side, between personnel optimization, vendor eliminations and cost renegotiations, we've already realized approximately $1.9 million of the targeted $7.5 million in projected cuts across our studio operations and corporate overhead.

We expect to see most of the remainder come through over the next 2 quarters. You're starting to see the company find its operational rhythm. That foundation is a critical context for what I'm about to describe with these acquisitions.

So let me talk about Giant and IndiCue because they're not really about getting bigger for the sake of it. They're about filling a specific gap we identified in the market and then building the architecture that solves for it.

For years, we've been building Matchpoint as an advanced infrastructure layer for digital video distribution. We invested heavily in machine learning, automation and what I'd call the operational plumbing that the streaming industry desperately needs. But the deeper we got into conversations with studios, distributors and platforms, the clearer it became. The industry is hopelessly fragmented. Content distribution is separate for monetization. Monetization is separate from data, and that fragmentation creates friction inefficiency and critically, it leaves money on the table.

So first, Giant Worldwide has been serving top Hollywood studios and streaming platforms for over 2 decades. Digital preparation, and coding, quality control, standards and practice compliance and delivery across every format. They're trusted by 4 major studios and top independent distributors, and they hold approved vendor status with those studios and the key platforms. So this isn't something you just get. It's earned over years of reliability, security and quality, and it's a substantial moat.

But Giant was operating on traditional infrastructure with manual workloads and labor-dependent processes. And critically, they were actually turning away business because they couldn't scale hiring people fast enough to meet studio demand. So as we started integrating Matchpoint's, AI video and audio quality control, automated ingest, frame-by-frame analysis and transparent mastering workflows, we are already starting to see immediate efficiency gains.

We're seeing -- we're already achieving 60% to 70% efficiency improvements in coding delivery in the short time we've already been deploying them. Matchpoint is capable of ingesting and -- to remind you, Matchpoint is capable of ingesting and mastering over 15,000 titles per month and can scale far beyond that. So that's the power of automation and genuine scale. And I want to be clear. We haven't even fully optimized Giant for software-like margins yet. That's a future state.

So right now, Matchpoint is solving the scale problem and the whole margin optimization opportunity is still largely ahead of us. So the market opportunity here is substantial. On a global basis, post and media services is a $25 billion fragmented market growing at 11% CAGR and expected to hit globally $74 billion by 2034. The industry is shifting from these labor-led workflows to AI-powered platform-led workflows. And that transition is happening, whether companies are ready or not.

So we're positioning Matchpoint to lead it, and the market response has confirmed our thesis. The announcement was the right message at the right exact moment for this industry. In our first month of operating Giant under the Matchpoint umbrella, we saw a nearly 470% increase in business over the prior year period. And that trend has accelerated into February as studios and platforms are telling us they really need this. They need the scale, they need the automation and they need it from a partner they can trust.

So now IndiCue is the other critical piece. IndiCue built a proprietary connected TV monetization platform, ad serving, supply side, demand side, SSAI or server-side ad insertion, on a very scalable infrastructure. So we have real control over that stack. They have over 40 live clients today with 75 more onboarding, including major names like IMAX, Freecast, Cannella and more. They're projecting $38 million of revenue at about $9.6 million EBITDA for calendar '26 with a 25% margin.

And those are the economics of a platform that works. But here's what really matters. IndiCue is the monetization layer we were missing. So Matchpoint gets content to market at scale but how you sell ad inventory, optimize yield, price and package ads, that was happening in a completely separate silo. So IndiCue closes that loop, distribution, data, monetization now work as a single system, with a real-time feedback engine.

We see performance, can act on it immediately and improve results for our own content and for some of the largest media companies in the world. So what we've built is something the industry has never had an independent full-stack white label solution that unifies content delivery and ad monetization that's actually integrated, not loosely connected.

And the combined teams are already developing new ad tech products on the Matchpoint stack that neither company could have built on. So I want to spend a moment on why this positioning matters beyond today's customers. There's a structural shift underway in tech right now that's directly relevant. In the AI era, value is migrating away from interface layers and towards platform and infrastructure layers. AI agents don't need dashboards.

They need real platforms with real underlying data beneath them, systems that can execute thousands of decisions per second. The companies that own the infrastructure and data are the ones that will matter, and that's exactly what we've built. So Matchpoint is the platform layer. Giant brings proven infrastructure, trust and customers, IndiCue brings monetization engine. Together, combined with our Matchpoint platform, they create a system of record for the entire media supply chain from ingestion through encoding, quality control, delivery, yield optimization.

It's not a dashboard that sits on top of someone else's stack. This is an actual operating system. And because monetization is integrated directly into that infrastructure, data is flowing in real time. That means higher CPMs, better yields and smarter targeting for advertisers, better calibrated ad loads for consumers. And when these systems are disconnected, everyone loses. So we've closed that gap.

So to close this out, with these 2 acquisitions, we've made a deliberate strategic choice. We're building what this industry does not have, a unified, automated architecture for the entire media supply chain, that's the moat, and it positions us to serve not just today's market where consolidation means customers need scale, speed and transparency, and we are meeting that today, but also the future market where intelligent systems will be making the vast majority of decisions in tandem with media companies.

So across the company, our focus remains clear. We're building for scale, for margin and for durability. We now have multiple high-growth engines that reinforce one another supported by technology data and a fast-growing audience footprint, and we feel very well positioned for the quarters ahead and for the long term.

So with that, operator, we can open the line for questions.

[Operator Instructions] First question comes from the line of Brian Kinstlinger, of Alliance Global Partners.

Great. Can you hear me?

Yes.

Congratulations on the strategic positioning through these acquisitions. My first question is, when I q at the filings on IndiCue, their business went from virtually no revenue in 2023 to $10 million, and to $32 million each of the last few years. Can you talk about the evolution of this business? I think there are 3 customers that make up the majority of the revenue. And is this recurring? And how? And is the growth generally penetrating new customers? Or is it penetrating the wallets of those existing customers?

Brian, I think Erick will take that question. And I think the concentration has improved quite a bit year-over-year. So go ahead, Erick.

Yes, sure. So I think there is a moment in time that IndiCue really was built for, and that's independent CTV monetization platforms with the prior acquisitions of companies like Springserve and Publica, the need for real independent platforms has emerged. It's not uncommon in early-stage businesses like IndiCue to have pretty high concentration early on as they leverage strong, long-term relationships of the founders and so on.

And that's what happened in this case. But that underlying concentration has been improving pretty dramatically, looking at the rearview mirror of the filings, the concentration has only improved, both on the supply and demand side. But I think one of the things that's very compelling and differentiated from, say, other network plays and other things is the combination of the technology and the volume of business that's flowing through leads to a much stickier and durable relationship than people that don't own the tech or that partners have not built their businesses decisioning on top of.

So that durability, some of the core customer base, one, represents a large holdco that has beneath that hundreds of different advertisers flowing through it and spending through it. And some of the other players are very large-scale players. So I think it's important for a business like this to build strong nodes of consistent recurring business that is mutually beneficial and expand from there.

And I think that's exactly what they've done also on the supply side, adding in major CTV partners and OEMs that have dramatically diversified the business over the last few months. So really, it's having the right product at the right time for a market that needs autonomy and independence from SSPs to be able to allow companies to do the things that they need to do to maximize their returns and yields in the CTV market that's maturing. And I think this is sort of the exact right product at the right time for that.

Great. My one follow-up and then I'll get back in the queue. I think you guys want us to keep to 2, is maybe an update on Matchpoint. It looks like in your press release, you talked about announcing 4 new customers, ATPN, The Asylum, Spark and Waypoint, can you size these wins, what they mean in your revenue guidance for next year? And did they include the full stack that you acquired? Or will they grow as you add those new capabilities as part of Matchpoint.

Yes. So I'll defer to Tony on how sort of the business will evolve. But I think with most of our customers, we really have a -- they're coming to us through 1 door for a specific need. Some of them are coming to us for media processing. Others are coming through for quality control. Others are coming through because they need an app platform. And still others now are going to be coming through because they need monetization. So with that base of customers, most of those customers came through because they needed either an app platform solution or an encoding solution.

I think we're following a pretty classic land-and-expand type model where we get the customer in and they have a lot of other integrated services that they can add and layer on. So Tony, I don't know if you can speak to sort of total value of these types of customers without specifics on any 1 specific. I think I'd characterize them as kind of lower mid-market customers but steady, stable customers. Tony, do you want to take that?

Yes. I'll take that. Thank you, Erick. So Brian, I think what you -- what we haven't really spoken a lot about is really the synergy between Giant and Matchpoint. So think of a lot of the work that we've been doing with Matchpoint over the last 2 years has been really on gaining a foothold within the market, market validation, traction.

And we had started kind of on the low end of the ecosystem by doing deals with channel operators, FAST channel providers and so on. And as you may recall from earlier meetings, some of the studio deals, there was interest, but the vetting and the process to get onboarded was a year or 2 years. It's just a very long, slow process. So by doing the Giant acquisition, overnight, we had deep studio relationships with 4 of the largest studios and slew of other large media companies.

So now what we've done is the synergy that the Giant deal brings us is we now have the ability to start selling Matchpoint, not just delivery services, but other parts of the Matchpoint stack to this -- to these big media clients. Some of these clients, one of the studios we were talking to, we were going through the vetting process.

Once we acquired Giant, we no longer had to go through that process. We were an approved vendor. And so think of it that way that Giant really short circuited the vetting process that could have taken Matchpoint a year for us to get into market. So now to Erick's point, we have the ability to land and expand with these big media clients and start selling more services than just what Giant was providing.

So some of these, I would say, our largest studio partner they were spending roughly $1 million a month with Giant. We think we could double that. easily. And that's just for the existing services. There's substantial upside there. It's a little early to say how high the ceiling is, but we think that there's tremendous growth opportunity there.

Your next question comes from the line of Dan Kurnos of Benchmark.

Great. First and foremost, let me just say congratulations. I mean, it took a lot of time, effort and guts to completely change the narrative here. So kudos to you guys for basically shifting the premise, which I think is great and completely derisking the other side of the business. So with that in mind, Tony kind of just answered the first question I was going to ask, but maybe I'll ask it in sort of a broader sense, which is, we got some color from all 3 of you now basically on sort of the synergistic elements of these deals and how they work together.

So within the confines of the guidance that you guys have given, you've got cost cuts, you've got other synergies, you can make -- you can improve Giant margins. Like how much of the combined synergies are we anticipating over the next 12 months? And how much do you think things could ramp if you guys kind of get the execution right, fold this all in and then really show what the consolidated entity can do. So I'm just trying to understand what you guys have embedded in the guide for fiscal '27. And I'll ask a follow-up after.

This is Chris. Dan, I just want to thank you for those comments. But I think probably, Erick and Mark Lindsey, are probably best to respond to your specific questions about fiscal 2027 and the guidance.

Yes. So I'll tee it up. I think I'll give the general sort of basket of these things. I'll let Mark Lindsey talk some specifics about forecast synergies as part of the forward guidance. I'll talk in generality. So if we really kind of think about what is -- how are we stacking up the various elements here to get to those EBITDA and revenue numbers.

First and foremost, just to rehash the cost, the cost reductions in the studio business is really to get that business refocused and aligned on recurring revenue growth out of the streaming business at high margins. Obviously, getting the studio model to a place where it's more predictable, and I think smoother revenue ramps, and 1 of the ways to do that is obviously push the margins as high up as we possibly can, and that will help absorb the natural volatility you see in a movie releasing business.

Hopefully, we increased the throughput of movies to smooth out the volatility on that studio business. But that's sort of job #1 in the studio. So that's realizing about $7.5 million of cost reductions. We also have a plan to move a lot of the content costs that today were being borne by our balance sheet -- off balance sheet into other financing mechanisms, that are kind of industry standard for studios to make that business look even better.

So that's job #1 there. Job #2 is on these 2 acquisitions, what are the immediate synergies that can be provided. So we're talking about IndiCue, Mark Lindsey, you can confirm this. I believe we're looking at somewhere up to, between $8 million and $9 million of potential synergies by deploying IndiCue's capabilities across our media portfolio on the revenue side. Mark, can you speak to that a little bit on the revenue and potential EBITDA synergies as we kind of deploy IndiCue into monetization and improvements in our existing sort of ad-based infrastructure?

Yes, sure, sure. Absolutely. So I'll hit on a few of them. I definitely don't want to reset our guidance because they're good numbers as they are. But there's some significant revenue synergy upsides from both Giant acquisition and IndiCue and how they integrate with Matchpoint. And then as well as the revenue synergies that come from IndiCue and their ability to leverage our existing infrastructure and our ad platform and our various channels.

So we -- as Brian noted earlier, IndiCue had a significant growth profile. As Chris mentioned, they've exceeded estimates, exceeded their forecast for the last 3 or 4 months. So they're growing rapidly. They're very profitable. There are, we believe, revenue synergies that we're going to have the opportunity to execute on and realize that we don't have built into our guidance. This guidance is clearly numbers that we think we're going to be able to obtain.

So there's some upside there. There's a lot of revenue synergies that are attainable, but we want to put a fairly conservative number out there. And we have bigger numbers for fiscal '28 and fiscal '29 as it will take a few months to ramp up and see those synergies take place and have traction. So without putting specific numbers out there, the $110 million to $120 million, that's including mid-$50 million of revenue combined from the 2 acquisitions and $10 million plus of EBITDA coming from the acquisitions, but we think there's definitely some upside there related to the synergies.

And Erick mentioned, there's about $7.5 million of cost savings that we have fully built into the adjusted EBITDA guidance that we put out there. So while it's aggressive numbers, we think they're very attainable, and there's definitely some upside there.

And then -- and I'll just finish up the last bit on the -- talking a little bit about the margin improvement on Giant. One, so today, if you think about that business model, it's a labor dependent with sort of labor and SG&A costs or depending how it's characterized in some cases, it could be OpEx costs, tracking with revenue. So there is no scale benefit to that business.

If you book more revenue, you got to hire more people where we saw the limits of that, that was happening over the last couple of months with them where just not enough, you can't scale people enough to meet the demands of the industry. We look at and see about 70% of the work can be done for encoding and delivery part of that business which is the lion's share of the revenue, can operate within Matchpoint's automation platform which would kind of flip gross margins from low 30s to mid-70s, give or take.

So that in and of itself is, I think, 1 of the biggest parts of the transformation is not only is the volume, I want to call it infinitely scalable but near so, but it also more than 2x-es the margin out of the business. So we have to build -- obviously, build the mechanisms and systems that make it easy. The good news is porting that over is not exactly the most challenging technological thing in the world. It's more workflow and process in the early days, and it will be more automated in the later part of the year.

But I think that also reflects on some of the cost basis. And then the last piece is we kind of look at these 2 businesses, we don't really need to do -- these are very differentiated businesses. There are some improvements we made on Giant pre-acquisition was an asset purchase. We didn't take all the people, all the cost structure. So we -- on day 1, we improved the cost structure there. There are minor things you do in any business, but that business for the most part, the cost realization. A lot of it's done already.

And IndiCue is a small, lean, highly profitable, smartly structured company that we don't have to do, there's not really any synergies to reap there. So most synergies are going to be coming from optimizations to the business models of the respective companies on either side of the equation.

That is incredibly comprehensive. Thank you for that. Very helpful and don't worry Mark. No one includes revenue synergies and acquisitions, so I think you're fine. The only other thing I'd ask for you guys because I know this is going to be a sort of an unprecedented or at least in recent times, question, which is, how should we think about free cash flow conversion now that you guys are going to have real meaningful EBITDA. And I know we have the really favorable convertible note that's out there, but you guys are going to have to think about now what to do with the cash that you're going to start generating.

I'll tee it up and then Mark, you can kind of dig into that. But the good news on these 2 businesses is not big CapEx, no big CapEx investments really are going to be required. They've been -- they're -- the improvements and the sort of synergies and benefits to growth are coming from over a decade of investment into our software platform.

So we start to realize the benefits of those applying those to other scale economics, and/or they've built out many years more capacity than we'll need to. So realistically, free cash flow flows back into growth initiatives for the company. So I think that's 1 of the core benefits here is we see an environment where there's a lot of companies similar to Giant and IndiCue that are highly accretive and add to the flywheel of this platform as sort of a baby version of what Salesforce did years ago, bolting things on or other things, that can scale this up even larger.

It also allows for other areas of investment and growth of things that we've been discussing internally. So that's a good place to be where we can leverage free cash flow as opposed to, say, dilution for some of these growth initiatives.

That's it, Mark, if you got something, go ahead, but I just -- congrats. So whatever you want to finish up with.

I'll just kind of summarize what Erick said. I mean this is a great position to be in. It's a little bit different than where we've been in the last few years. We're 5 weeks on 1 acquisition, and 2 days or 3 days into the other one. So still some time to get our arms around them. But definitely an opportunity to put some dry powder on our balance sheet, reduce the outstanding balance on our revolver.

As Erick alluded to, there's some unique opportunities out there for us for some tuck-in acquisitions to continue to help grow the company. That will be day 1 accretive that we feel like we can get at a great price. And hopefully, we're in a position where we can utilize cash and/or equity, as a capital to make those acquisitions. So we can talk free cash flow in next quarter and start reporting on it.

So I know you're excited to see that number. So we'll start doing it.

[Operator Instructions] Your next question comes from the line of Laura Martin with Needham.

Can you hear me okay?

We can hear you now.

So congratulations. It seems like you've made transformative acquisitions here. Chris, my first question is for you. So the studios absolutely need to cut cost and then automate their workflows. But I sort of feel like the studio system -- look, I think Wall Street has a consensus that generative AI tools are going to lower the cost of content creation and proliferate content makers, and that's going to ultimately hurt the studios over a longer-term frame.

So my question is when I think about Matchpoint, which I saw a demo at CES and I thought it was fantastic already. It's going to be even better now. Is there -- are there tools and features at Matchpoint that are applicable to the next generation of content creators through run lean, right? There's 5 guys, and they have their great software narrative guys. So is there something here that is applicable to the next generation?

Yes. Well, first, Laura, thank you very much for joining the call. We're very happy that you listened in. Thank you. One of the things that I really like about what we're doing on the AI front is we're putting forth, I think, positive AI tools that help the industry, whether it's what we're doing here with Giant where we're using AI in our technology basically to power fulfillment and drive down costs for the studios or what we're doing on cineSearch with Ava, our Siri for streaming search. They're done in a way that doesn't have any negative impact at all on the creative side of the business, and yet they're positive applications of AI within the industry.

We just made an announcement the other day, and I'm going to turn this over to Tony about how we're going to be developing AI tools on the creative side of the business. So Tony, do you want to respond to that question?

Yes, of course. Thanks, Chris. Laura, thanks for the question. Yes. Obviously, as an AI forward company, we continue to monitor and watch all the key developments within the industry. On Monday, we announced the formation of the Matchpoint Creative Labs. That's essentially our R&D unit for GenAI so we're already working with some clients on taking GenAI and using it for ad creation, which would tie in with IndiCue.

We're also using it for channel branding station IDs and so on. And this is a service that we can provide our Matchpoint clients, they use Matchpoint Blueprint or FAST channels. But we continue to invest in that area. I think in terms of your question, definitely where we are compared to the rest of the industry, we're pretty far ahead.

Agentic AI is something that Erick spoke about during his portion of the of the script. I would say agentic AI and creating an intelligence layer related that sits on top of the data that we manage is a big focus of ours that we'll be doing some announcements later this year. But we get it. We're very invested in this space, and I think we have a very good handle in terms of how we can leverage AI in what we feel is an ethical way that doesn't hurt the business.

But we're here ultimately to build as we say, picks and shovels to help the rest of the entertainment industry move forward, and we think we have a huge foundational head start compared to any of our competitors.

And I'll add 1 thing, Laura. So I think your question really is whether the studios catch up and start to focus on AI and they're sort of an innovator's dilemma play there or if other companies emerge. I think our position is that, it is going to massively increase the volume of total content.

So if anything, a platform that can organize, monetize, route it, is going to become even more critical, apply other tools to make it distributable into beyond just YouTube and other sort of social platforms because we believe looking at the quality leaps, generational leaps that are happening. This is going to democratize the quality available, and the volume of content, but we think that this is -- this will make what we do being able to ingest, normalize the metadata, so it can go into the various sales and monetization channels, doing things like localization, tracking rights, delivery to all the FAST AVOD other platforms, performance tracking, providing real-time data and feedback that can inform the models that are making it.

That's where I think our platform actually is going to add massive value if that is the future universe that happens. And so -- and we believe that's likely. So we think we're in a very good position to handle that explosion of content.

Great. And then my second question, and then I'll stop there is, you guys just made transformative -- you transformed the business with these 2 acquisitions. So what next? Are we done? Are we done with acquisitions? Do you need more stuff? Do you listen to your clients about what they need and they lead the way in what you add or bolt-ons to these acquisitions? What happens next on the M&A front?

So I would add that, number one, we've got a lot of work to do to digest these 2 acquisitions. So the short term is about post-merger integration, making these all work, getting all the teams aligned to the growth that we're putting out there.

But I think the environment that we find ourselves where the media services industry, the processing the packaging data. There are a lot of companies that were private equity and other buyers, corporate and strategics bought these businesses at the peak of COVID, high valuations or under thesis that don't make sense anymore. And those companies are going to become available over the next months and years.

And we think finding the best of the best that have strong assets that fit with our flywheel, stripping out cost structures and the same way we're doing here and automating them to capture scale and more value is a model that we think is worthy of pursuing. And first, we're going to prove the thesis though over the next months and quarters here.

I agree with that, Erick. But I would just say, if you look at these 2 deals, if you drill down into these 2 deals, they're going to be enormously accretive. They were done with great valuations and there are incredible synergies between the 2 companies.

And even though, it's always a challenge to integrate companies together, we think in the grander scheme of things, both companies are very easily integratable into Matchpoint. So -- and the short answer is, if we can find other opportunities like Giant and like IndiCue that we think just have enormous upside. Of course, we're going to do that because it's in the best interest of our shareholders.

There are no further questions remaining. So I'll pass the conference back over to Chris McGurk Chairman and CEO of Cineverse for closing remarks.

Thank you. Thank you all for joining us today. Please feel free to reach out to Julie Milstead with any additional questions you might have from this call. So we look forward to speaking to you all again on our next quarterly call. Thank you all very much.

That concludes today's conference call. Thank you for your participation. You may now disconnect.

Good day, everyone, and thank you for joining us, and welcome to the Cineverse Corporation Second Quarter Fiscal Year 2026 Financial Results Conference Call. My name is Luca, and I'll be your moderator today. [Operator Instructions]

I would now like to turn the call over to Gary Loffredo, Chief Legal Officer, Secretary and Senior Adviser for Cineverse. Please go ahead.

Good afternoon, everyone. Thank you for joining us for the Cineverse Fiscal Year 2026 Second Quarter Financial Results Conference Call. The press release announcing Cineverse's results for the fiscal second quarter ended September 30, 2025, is available at the Investors section of the Cineverse -- of the company's website at cineverse.com. A replay of this broadcast will also be made available at the Cineverse website after the conclusion of this call.

Before we begin, I would like to point out that certain statements made on today's call contain forward-looking statements. These statements are based on management's current expectations and are subject to risks, uncertainties and assumptions. The company's periodic reports that are filed with the SEC describe potential risks and uncertainties that could cause the company's business and financial results to differ materially from these forward-looking statements.

All of the information discussed on this call is as of today, November 14, 2025, and Cineverse does not assume any obligation to update any of these forward-looking statements, except as required by law. In addition, certain financial information presented in this call represent non-GAAP financial measures, and we encourage you to read our disclosures and the reconciliation tables to applicable GAAP measures in our earnings release carefully as you consider these metrics.

I'm Gary Loffredo, Chief Legal Officer, Secretary and Senior Adviser at Cineverse. With me today are Chris McGurk, Chairman and CEO; Erick Opeka, President and Chief Strategy Officer; Tony Huidor, President of Technology and Chief Product Officer; Mark Lindsey, Chief Financial Officer; Yolanda Macias, Chief Motions Pictures Officer; and Mark Torres, Chief People Officer, all of whom will be available for questions following the prepared remarks.

On today's call, Chris will briefly discuss our fiscal year 2026 second quarter business highlights. Then Mark will follow with a review of our financial results, and Erick will provide further details on our business and operating results and new initiatives.

I will now turn the call over to Chris McGurk to begin.

Thank you, Gary, and thanks, everyone, for joining us here today. I'd now like to cover some important business highlights, and then Mark will review our financial performance, and then Erick will cover our operating progress and new business initiatives in much more detail.

We had a slightly down revenue quarter with strong margin improvement. Total revenues were $12.7 million, down 3% from the prior year quarter. During the quarter, we closed a $1.1 million licensing deal for The Toxic Avenger that will be recognized in future periods. With this license fee revenue, the revenues for the quarter would have been $13.4 million, up 5% from the prior year quarter.

Operating margins grew by 7% from the prior year quarter to 58% Net income and adjusted EBITDA in the quarter were impacted by the investments we've been making to build our technology sales force, grow our Matchpoint deal pipeline and fill and market our theatrical release portfolio. We expect those investments will generate returns over the balance of the year and beyond. At the same time, we continue our intense focus to control costs and leverage the savings and efficiencies of Cineverse Services India to manage SG&A spending.

The Toxic Avenger Unrated released on August 29 did not perform as well as we hoped at the box office. However, our marketing campaign is helping the film perform very well in the ancillary distribution markets, particularly VOD, physical and licensing with Amazon and Hulu, and the film will be profitable with an expected IRR of 40%. We own the domestic distribution rights to this film in all media in perpetuity. And so we believe it will be a strong and valuable addition to our over 66,000 title film library.

Now the performance of the Toxic Avenger Unrated is very instructive about the risk-reward profile of our portfolio film strategy as much so as Terrifier 2 and 3 were, two films that dramatically overperformed everybody's expectations at the box office and then in the ancillaries. Because we keep our all-in acquisition and theatrical releasing costs on our films to less than $5 million each and because we utilize our fan-centric streaming channels, advertising technology, podcast network and social media footprint to generate millions of dollars in media value with relatively little out-of-pocket marketing costs our film portfolio has enormous downside protection, while at the same time, our strategy sets the stage for upside breakout performances like Terrifier 3, which opened to #1 at the box office and ultimately did $54 million in ticket sales on an opening marketing spend of only $500,000. I can guarantee you that none of our competitors with their traditional film releasing models would have achieved anywhere near a 40% return on investment on The Toxic Avenger unrated. In fact, I'm very certain that all of them would have lost money on the release.

And our next two releases, Silent Night, Deadly Night on December 12 and Return to Silent Hill on January 23, 2026, follow the same blueprint [indiscernible]. Both are fan-centric IP-based films that have an all-in investment projected to be well below $5 million each and also below our investment level in The Toxic Avenger Unrated.

Also of note, our IP-based family film, Air Bud Returns is nearing the completion of principal photography and continues to generate much buzz on social media, the press and late-night TV. We expect to release this film in late calendar 2026.

Our unique film releasing approach and artist-friendly model have both been attracting more and more quality directors, producers and agents to approach Cineverse as a film distribution partner versus the traditional studios and other independents. Nowhere is this more evident than in our announcement last week that we will be releasing the 20th anniversary edition of Pan's Labyrinth. The horror fantasy masterpiece from an acclaimed screenwriter and Director, Guillermo del Toro, who has had a massive recent critical and commercial success with his visionary film version of Frankenstein. Pan's Labyrinth won three Academy awards and has received over 100 other worldwide film awards. It is widely acknowledged as a classic visionary film with a strong message that is tailor-made for the world today.

When it debuted at the Cannes Film Festival, it received a 22-minute standing ovation, the longest tribute in the history of the festival. The film has been invited back to Cannes for a special anniversary presentation next May, which will kick off our marketing campaign for a late 2026 theatrical release, including large formats. We have a multiyear domestic distribution deal in all media on this movie, making it a terrific addition to our film library.

And as he stated in his video announcing his partnership with us, Guillermo brought this classic beloved movie to Cineverse versus the majors and other independent studios because he wanted to take advantage of our unique nontraditional artist-friendly approach to film releasing. Expect more announcements in the next few months as we meet with more key industry talent and evaluate multiple new film opportunities that fit our releasing model and ecosystem of marketing assets.

And we just received an updated third-party valuation of our content library. The library is now valued at $45 million, significantly above the $3.2 million in book value on our financials. This valuation of just one of our key assets is strong evidence of our belief that we remain very undervalued given our current market cap.

We also made very strong progress in building out our Matchpoint technology sales pipeline with dozens of potential partners, including large entertainment companies and major studios now actively evaluating our technology. We just recently announced we have already closed four of those deals.

And we're also quickly moving forward on our high-potential micro drama joint venture with Banyan Ventures, preliminarily called MicroCo. With a goal of becoming the domestic market leader of this more than $8 billion rapidly growing worldwide business, we are very encouraged by the response to our plans by potential investors and strategic partners and by the creative community. We also have already received a funding commitment from a leading venture capital firm.

So, Erick will speak in more detail on all this in a minute. But now I'd like to turn things over to Mark for a financial review. Mark?

Thank you, Chris. As Chris noted, we closed on a $1.1 million licensing deal for The Toxic Avenger Unrated that will be recognized in future periods in accordance with current accounting rules. In the prior year quarter, the company recorded $1.6 million from a similar Dog Whisperer license agreement. Excluding these timing effects, performance across the company's core business line continued to show solid underlying growth. For the quarter, we had a slight decrease in revenue but strong gross margin growth with $12.7 million in revenue, a $0.4 million or 3% decline over the prior year quarter and a gross margin of 58% compared to 51% last year quarter, materially above our guidance of 45% to 50%.

For the quarter, we reported a net loss of $5.5 million and adjusted EBITDA of negative $3.7 million compared to a net loss of $1.2 million and adjusted EBITDA of $0.5 million in the prior year quarter. The decline in both numbers is primarily the result of SG&A expenses impacted by increased investments in sales, marketing and technology to support our expanding theatrical and technology initiatives as well as start-up costs associated with our newly formed MicroCo venture. We fully expect to see strong top and bottom line results in the remainder of our fiscal year as a result of these upfront investments and in fiscal year '27 with the launch of MicroCo.

We had $2.3 million in cash and cash equivalents on our balance sheet as of September 30, with $5.9 million available on our $12.5 million working capital facility. The decline in cash from year-end is directly attributable to the payment of royalties during the quarter, the majority of which was related to the Terrifier related to Terrifier 3 and advance payments associated with our increased theatrical slate.

We would also like to highlight the positioning of our current balance sheet with no long-term debt, no acquisition-related liabilities, outstanding warrants have been reduced to 700,000 shares and $5.9 million available on our capital facility as of quarter end. In addition, our content library valuation has been finalized, reflecting an increase in the value of our library to $45 million compared to the current book value of $3.2 million as of quarter end, reflecting material asset value not included on our balance sheet.

Finally, coming off a fiscal year with record revenues and strong revenue and gross margin growth, this quarter, we believe the SG&A investments that we've made during the first two quarters of the year will lead to strong top and bottom line results for the remainder of the year.

With that, I'll turn the floor over to Erick to discuss our operating and strategic growth initiatives. Erick?

Thanks, Mark. This was a strong quarter across streaming, distribution, technology and our emerging businesses. Starting with streaming. Total streaming viewers in the quarter reached 143.8 million, up 47% from last year. Total minutes streamed were 3.4 billion, up 45%. Fast minutes streamed were 3.2 billion of that, up 47%. And SVOD subscribers grew to 1.39 million, a 6% increase year-over-year.

Several of our key channels delivered their best ever quarters in viewer growth. Our Barney channel more than doubled year-over-year. Dog Whisperer grew nearly 1,000% Screambox TV increased 32% and Screambox SVOD is up 27% since the launch of Terrifier 3. With Toxic Avenger Unrated, we expect to see the majority of the impact in Q3, the current quarter. We secured a co-exclusive licensing deal with both Amazon and Hulu for the film. And as Chris noted, combined with the surge of direct-to-consumer subscribers on Screambox that we anticipate, we expect a healthy IRR that exceeds our baseline expectations of around 40%. We achieved this while minimizing downside risk through our theatrical model, and we plan to follow the same approach for our upcoming slate of horror thriller and independent films.

Our Cineverse branded channel has now grown more than 6,400% since its relaunch in January in viewership. This reflects the strength of our fandom strategy and our ability to convert viewers efficiently into long-term users.

On distribution, our hybrid model continues to deliver. We're capturing strong licensing revenue while still preserving key windows on our own streaming platforms. That balance allows us to monetize content today while growing long-term recurring engagement, and it continues to be a competitive advantage for our company.

Turning to advertising. The environment this quarter was mixed. Bill rates in CPM were pressured as the market continues to adjust the large amounts of new inventory that Amazon, Netflix and others brought online over the last year. Combined with macro concerns and tariff uncertainty, many core CTV advertisers remain cautious, which created choppiness across the category, and it was no different with us. Even so, our direct sold business performed well and repeat partners keep returning because campaigns on our platforms deliver results.

What matters most is that our audience base continues to expand rapidly. Every new viewer in every new FAST channel widens the funnel so that when conditions normalize, we have the scale to benefit disproportionately. And we're heading into that period into a period that tends to be favorable. Political spending begins ramping in our fiscal Q4, calendar Q4 and early fiscal Q1 calendar -- sorry, early fiscal Q1, calendar Q2. And historically, that lifts our entire ad business. Easing interest rates should also bring more confidence in budget back in the market.

So we're also preparing the next phase of our ad stack with the integration of Cinecore, our massive AI-driven metadata repository into C360. This will allow advertisers to target audiences around specific shows, series, genres and fandoms with far greater precision. The value prop is simple. Instead of buying a show directly on Netflix, an advertiser can buy the entire audience that loves that show or similar shows across the Internet at a lower cost with better attribution, and we believe this will be a major differentiator.

Next, turning to technology. Matchpoint had one of its strongest quarters yet. We added more than 20 new customers in the last 100 days and launched Matchpoint 3.0, expanded internationally and are now onboarded with a major Hollywood studio. We also secured new partners in APTN, The Asylum, Spark, and Waypoint and expanded fast distribution across LG, ANZ, Rockbot and Roku U.K. In addition, Matchpoint is currently under evaluation by a second major Hollywood studio as well as a major television broadcaster.

As previously stated, these deals require a longer and more complex deal cycle, but offer significant recurring revenue opportunities for the company and bring significant market validation, which attracts additional large players.

The acceleration is being driven by the state of the industry. As consolidation continues, library distribution needs keep increasing. Studios are under intense cost pressure and everyone is trying to prepare their catalogs for the AI era. Most of the entertainment industry still relies on legacy systems, messy vaults, manual workflows and antiquated delivery infrastructure that heavily rely on external manual vendors. These methods are no longer viable within this new streaming era as they cannot scale to the massive modern distribution demands.

Matchpoint was built for this exact moment. It automates packaging, delivery, metadata, rights intelligence and AI search into one system. So we're now evaluating strategic partnerships and selective acquisitions that could accelerate expansion to ingest, catalog transformation, QC and AI native library preparation. Our goal is straightforward. We want Matchpoint to become the operating system for content libraries worldwide.

And finally, MicroCo continues to build momentum ahead of plan. And I want to emphasize, micro dramas are not a fad. Our research indicates that at maturity, micro dramas could represent up to 20% of professional streaming viewing time. That would make the format central to the entertainment ecosystem and essential for every major streaming platform to be involved with.

And we have a leadership team designed to build this category. Jana Winograde, former President of Showtime, is our CEO; Susan Rovner, who led television at both Warner Bros. Discovery and NBCUniversal is our Chief Content Officer; Lloyd Braun, former Chairman and President of ABC Entertainment behind hits like Lost, and The Sopranos, serves as Co-Founder and Chairman.

The industry response has been overwhelming. We're seeing exceptional inbound interest from producers, creators, brands, studios and institutional investors. The current short-form market is fragmented and no platform integrates professional production, creator tools, AI native workflows, discovery and monetization, and that is what MicroCo will be designed to provide.

We already have significant commitments from a leading venture firm and are actively engaged with additional partners. Developing our development on our initial slate is underway, including live action, creator-driven series, new IP and franchise-based projects. The platform is being built from day one to be entirely AI native, allowing us to move more quickly and deliver a modern experience.

We expect to announce more details soon, including the official name, platform features, partnerships and launch timing. By combining our technology, our AI and metadata systems, our automation capabilities, our fandom channels and this leadership team, we believe MicroCo can create significant industry value and meaningful shareholder value extremely rapidly. Across the company, our focus remains the same. We're building for scale, for margin and for durability. We now have multiple engines of growth that reinforce one another, supported by technology, data and a fast-growing audience footprint, and we feel very well positioned for the next several quarters and for the long term.

With that, operator, we can open the line for questions.

[Operator Instructions] Your first question come from the line of Dan Kurnos with Benchmark.

Yes. One for Chris, one for Erick. Just Chris, epoxy, not as good in the box, but great in the ancillaries. Obviously, the licensing deal, it's nice to see some of the pay window stuff. Does this influence either your expectations for your upcoming slate based on what happens just kind of more of an adjacent category to the traditional horror? And also, just does it change how you view which films you go after? Obviously, you have your blueprint, but you kind of are -- it's going to take a little while to sort of settle in to see what fits and what kind of produces what kind of results.

And then for Erick, just on Matchpoint, I appreciate the incremental color. Just want to get a sense on timing of monetization. I know you said longer sales cycles. We've got a new studio there. It sounds like you guys are looking to also accelerate the growth, but it seems like it's moving along nicely. So just any color you can give us on contribution and sort of where you expect to be, say, like 12 to 24 months from now with Matchpoint would be super helpful.

So, Dan, this is Chris. Thank you. I'll take that first question. Well, I think as I said in my remarks, we really believe That Toxic Avenger validated our theatrical releasing strategy as much as Terrifier 2 and 3 did because it showed the downside protection, the strength of our ability to market movies in the ancillaries as well as theatrical and the utilization of our marketing ecosystem.

I'll repeat again, I don't think anybody in this business that had released a movie other than us would have got anywhere near a 40% IRR on that picture. But it's outperforming in the ancillaries.

I do think one piece of key learning that we got out of this is all of the other films in our release straight are straight down the middle genre pictures, horror pictures, family picture, a fantasy now from Guillermo Del Toro. This movie Toxic Avenger, which we picked up the rights forever for virtually nothing was kind of a mixed genre movie. What was it? A superhero movie, a horror movie, comic book movie, a comedy. It was a little bit of all those things. And I think if there's one piece of key learning that we take away from the release is movies like that are difficult to make work theatrically. So we're going to kind of avoid anything that's max of being a mixed genre movie in the future. Erick?

I'm here. Thanks, Dan. So first up on basically, when we think about Matchpoint, one of the -- first thing I'll unpack the revenue cycle concept. So -- and I'll also -- Tony is also on the call, and I think he can provide some additional color. But I'll -- first, I'll give you sort of the big picture.

As I noted in the call, we are seeing a pretty rapid and overwhelmingly positive response to the product as we take it out broadly to studios, broadcasters and so on. All of them are seeing incredible margin pressure and really need to entertain cost cuts and efforts to sort of maintain their margins as some of those business are level setting, others are maturing and others are entering a new phase of consolidation and technology sort of centricity.

So as we see that happen, all of them are expressing significant interest in using tech to accomplish that. There really aren't really -- there's always been the promise of a unified solution in the market, but none really exists that do what Matchpoint does. And so we're seeing incredible response. I think the biggest challenge is obviously, number one, as these large companies are highly bureaucratic in the cycle time from first conversation to steady-state operation, in its best incarnation in six months up to nine months in its longest incarnation.

And I think I'll let Tony really kind of talk about it more specifically with the studio that we're working with, but other prospects on that front. I would also say we are also in a lot of other businesses that have a high degree of cycle time that are much faster turn, as you can see, with new management in that unit that's experienced in the industry, we've been able to bring in 20 customers in a little over a quarter and change.

So I think we're going to continue to see that. And then the last thing I'll add is, as you noted, we do see an opportunity in the market. Most of the competition in this space are at relatively low margins but have strong established customer bases. So there is a thesis that there could be either partnership or M&A opportunities in the space that would effectively allow us to take relatively low cost and lower-margin businesses in the low 20s margins, 20% to 30% gross margins and take them up to the 80% to 90% software gross margins that we could get out of Matchpoint for most of the business lines.

Tony, I don't know if there's anything else you want to add on the sort of the cycle time and the prospects on the larger customer base.

Yes, sure. Thank you, Erick. Yes, absolutely. As reported a quarter or two ago, we entered a pilot with a major studio. And as you would imagine, given the uncertainty within the Hollywood studio system with consolidation, several studios being acquired or potentially being acquired, it has created sort of an ecosystem or this inertia within the industry where everyone is a little afraid of moving, not knowing where things are going.

But in spite of that, as Erick pointed out, they're all under pressure to reduce costs, grow revenue, expand into new territories and launch their services more widely. All of them rely on traditional legacy vendors who do this manually. So time to market is an important factor for them. And that's -- as we've discussed many times before, that's what Matchpoint excels at.

So with the major studio that we just recently onboarded, it took us months just to get into their financial systems. We're through that. We're in the process of finishing our first order. This was essentially a validation that we can actually do what we said we can do. That is going well. The feedback that we've gotten from the studio is if this goes as well as they're seeing, they're completely interested in expanding the relationship and taking away from some of the competing vendors that we're competing against.

So what we see is the strength in the automation, the cost savings, the time to market, all the efficiencies that Matchpoint brings to us is of tremendous interest to the studios. At the same time, one of the challenges is what we do is so different that the second studio that is evaluating what we do, they understand what we're doing, but it changes how they do everything. but they see the benefits. And so that is a process that is taking a little longer.

But the upside to that is once we get accepted, this is -- we're not just a vendor, we really become part of their supply chain. And that is critical for what we're trying to do, where what we will do will be ongoing recurring revenue, deepen the plumbing of a major studio. We expect that each studio could bring mid-7 to low 8-figure revenue per year and growing based on expansion. So our goal is, as Erick pointed out, is to really be the operating system for the studio system. We feel there's no one else in the market that has anything close to what we do, and we feel we have a huge competitive advantage.

One area that we are working on is offering more professional services, custom development for the studios who are still trying to transition from legacy systems to automation. And that's an area that in the past, we've not really focused on because of the high cost and low margin. But when we combine that with the automation, we really feel that we have an all-in-one solution to the studios who need a level of getting them up to speed in order to leverage the automation that we bring.

So, with that in mind, I think the -- to Erick's point, the feedback we get and have received across the market has been extremely strong and robust. It's -- I won't even go through all the comments and feedback we get, it's stellar. And no one has seen anything that comes close to what we've built, and that gives us a huge technology moat that we feel very bullish about the future of Matchpoint.

There are no further questions remaining. So I'll pass the conference back over to Cineverse's Chairman and CEO, Chris McGurk, for closing remarks.

Thank you all for joining us today. And please feel free, if you wish to reach out to Julie Milstead with any additional questions you might have. We look forward to speaking to you all again on our next quarterly call. Thank you very much.

That concludes today's conference call. Thank you for your participation. You may now disconnect your line.